OUR LIBRARY

Performance Work Book

Friedman, Ken, Owen Smith, and Lauren Sawchyn, eds. The Fluxus Performance Workbook. Performance Research e-Publications, 2002. 

HIstory of Fluxus West

Friedman, Ken. "A Brief History of Fluxus West." TS. Fluxus West Collection, Alternative Traditions in Contemporary Art, University of Iowa Libraries, n.d.

Eternal Network

Filliou, Robert, and George Brecht. "The Eternal Network."Teaching and Learning as Performing Arts.Koeln: Koening, 1970. 

Fluxus Reader

Friedman, Ken, ed. Fluxus Reader. Chichester, West Sussex: Academy Editions, 1998.

FluxusReader.pdf

art into life chronology

Akita, Nobuko, Yoko Hayami, and Midori Yoshimoto, eds. Fluxus—Art into Life.Urawa Art Museum. Saitama, Japan: Urawa Bijutsukan, 2004. Print.

Art Into Life

 

art into life map

Akita, Nobuko, Yoko Hayami, and Midori Yoshimoto, eds. Fluxus—Art into Life.Urawa Art Museum. Saitama, Japan: Urawa Bijutsukan, 2004. Print.

Art Into Life Event Map

 

LINKS

 

Alternative Traditions in Contemporary Arts, University of Iowa Special Collections, Iowa City, USA. Link

The Albert M. Fine Collection
The Ken Friedman Archive and Collection
The Dick Higgins Collection
The Alice Hutchins Collection
Artifacts of the Eternal Network

Archiv Sohm, Staatsgalerie Stuttgart. Stuttgart, Germany. Link

Archivio Francesco Conz. Verona, Italy. Link Artpool Art Research Center. Budapest, Hungary. Link

Colección Artistas Conceptuales. Museo Vostell Malpartida. Malpartida de Cáceres, Spain. Link

Colección Wolf y Mercedes Vostell. Museo Vostell-Malpartida. Malpartida de Cáceres, Spain. Link

Dick Higgins Collection. Albin O. Kuhn Library & Gallery. The University of Maryland. Baltimore, USA. Link

Donacion Fluxus, Gino Di Maggio. Museo Vostell Malpartida. Malpartida de Cáceres, Spain. Link

Emily Harvey Foundation. New York, USA. Link

Fluxus Collection. museum FLUXUS+. Potsdam, Germany. Link

Fluxus Collection. Walker Art Center. Minneapolis, USA. Link

Fluxus Collection. Whitney Museum of American Art. New York, USA. Link

Fluxus Heidelberg Center, Heidelberg, Germany. Link

Franklin Furnace Archive. The Pratt Institute. New York, USA. Link

George Maciunas Foundation. New York, USA. Link

George Maciunas’ Fluxus Cabinet. Contemporary Art Center. Vilnius, Lithuania. Link

George Maciunas Memorial Collection. The Hood Museum of Art, Dartmouth College. Hanover, USA. Link

Getty Research Institute. Los Angeles, USA. Link

Experiments in Art and Technology Records
Dick Higgins Papers.
Allan Kaprow Papers
Heinz Ohff Collection of Wolf Vostell Papers
Bern Porter Mail Art Collection
Yvonne Rainer papers
Carolee Schneemann Papers
Harald Szeemann Papers
David Tudor Papers
Robert Watts Papers

Gilbert and Lila Silverman Collection. The Museum of Modern Art. New York, USA Link

Jonas Mekas Visual Arts Center. Vilnius, Lithuania. Link

Ken Friedman Fluxus Collection. Henie-Onstad Art Centre. Høvikodden, Norway. Link

Knud Pedersen Collection. Copenhagen, Denmark. Link

Luigi Bonotto Collection. Molvena, Italy. Link

Stendhal Galery, New York, USA. Link

20th Century Art Movements: Art Nouveau, Dadaism, Expressionism, Futurism, Surrealism, Constructivism, Fluxus. Charles Deering McCormick Library of Special Collections, Northwestern University. Chicago, USA. Link

TVF The Endless Story of FLUXUS. Gent, Belgium. Link

UbuWeb, Fluxus Collections, New York, USA. Link

Fluxfilm Anthology Link 
FluxTellus Sound Archive Link
Fluxus Anthology, 30th Anniversary, 1962-1992 Link

Wolf Vostell Collection. museum FLUXUS+. Potsdam, Germany. Link

 

PRINT

 

Akita, Nobuko, Yoko Hayami, and Midori Yoshimoto, eds. Fluxus—Art into Life. Urawa Art Museum. Saitama, Japan: Urawa Bijutsukan, 2004. Print.

Allen, Roy F. “Fluxus and Literature.” Visible Language 26 (1992): 69-78. Print.

Anderson, Simon. “Fluxus, Fluxion, Fluxshoe: The 1970s.” The Fluxus Reader. 22-30. Print.

Antin, D. “The Stranger at the Door.” Genre 20.3/4 (1987): 463-81. Print.

Auslander, Philip. “Fluxus Art-amusement: The Music of the Future?” ART PAPERS 23 (1999): 30-5. Print.

---. “Fluxus Art-amusement: The Music of the Future?” Contours of the Theatrical Avant-garde: Performance and Textuality. Ed. James Martin Harding. Ann Arbor: University of Michigan Press, 2000. 110-29. Print.

Baerwaldt, Wayne. Under the Influence of Fluxus. Milan, Verona: Editions Conz, 1991. Print.

Bech, Marianne, and Bent Petersen. “Fluxus: The Unpredictable Legend.” North 15 (1985). Print.

Bell, Gelsey. “FLUXCONCERT 20080925-27.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 435-8. Print.

Berghaus, Günter, and Tomas Schmit. “Tomas Schmit: A Fluxus Farewell to Perfection: An Interview.” TDR (1994): 79-97. Print.

Block, René. “Fluxus and Fluxism in Berlin 1964-1976.” Berlinart 1961-1987. Ed. Kynaston McShine. New York: Museum of Modern Art, 1987. 65-79. Print.

Block, René, Gabriele Knapstein, Carola Bodenmüller, and Institut für Auslandsbeziehungen. Eine Lange Geschichte Mit Vielen Knoten: Fluxus in Deutschland, 1962-1994. Stuttgart: Institut für Auslandsbeziehungen, 1995. Print.

Blübaum, Dirk, Gerhard Graulich, and Katharina Uhl, eds. The Revolution of the Romantics: Fluxus Made in USA. Nürnberg: Verlag für moderne Kunst, 2014. Print.

Bonito Oliva, Achille. Ubi Fluxus Ibi Motus, 1990-1962. Milano: Mazzotta, 1990. Print.

Brecht, George, and Robert Filliou. Games at the Cedilla; Or, the Cedilla Takes Off. New York: Something Else Press, 1967. Print.

Brill, Dorothée. Shock and the Senseless in Dada and Fluxus. Hanover: Dartmouth College Press, 2010. Print.

Bryan-Wilson, Julia. “Remembering Yoko Ono’s Cut Piece.” Oxford Art Journal 26.1 (2003): 99-123. Print.

Bryan-Wilson, Julia Quinn. “Performance, Memory, and the Body Stripped Bare: Yoko Ono’s Cut Piece.” Berkeley: University of California, 1999. Print.

Burmeister, Ralf. “Fluxus Besucht Heiligensee.” Hanna Höch: Eine Lebenscollage. Ed. Cornelia Thater-Schulz. Vol. 3. Berlin: Argon, 1989. 122-53. Print.

Cassel Oliver, Valerie, Benjamin Patterson, and Bertrand Clavez. Benjamin Patterson: Born in the State of FLUX. Houston: Contemporary Arts Museum Houston, 2012. Print.

Concannon, Kevin. “Fluxus and Advertising in the 1960s and Now.” Performance Research 7.3 (2002): 55-63. Print.

---. “Yoko Ono’s Cut Piece: From Text to Performance and Back Again.” PAJ: A Journal of Performance and Art 30.3 (2008): 81-93. Print.

---. “Yoko Ono’s Cut Piece (1964): A Reconsideration.” Yoko Ono’s Cut Piece (1964): A Reconsideration. MA. Virginia Commonwealth University, 1998. Print.

Conwell, Donna. “Beau Geste Press.” Getty Research Journal (2010): 183-92. Print.

D’Avossa, Antonio, and Nicoletta Ossanna Cavadini. Fluxus: Una Rivoluzione Creativa, 1962-2012 = A Creative Revolution. Milan: Skira, 2012. Print.

Dewey, Ken. “X-ings.” The Tulane Drama Review 10.2 (1965): 216-23. Print.

Dezeuze, Anna. “Assemblage, Bricolage, and the Practice of Everyday Life.” Art Journal 67.1 (2008): 31-7. Print.

---. “Origins of the Fluxus Score: From Indeterminacy to the Do-It-Yourself Artwork.” Performance Research 7.3 (2002): 78-94. Print.

Dezeuze, Anna, et al. The “Do-it-yourself” Artwork: Articipation From Fluxus to New Media. Manchester: Manchester University Press, 2010. Print.

Dreyfus, Charles. Happenings & Fluxus. Paris: Galerie 1900-2000, 1989. Print.

---. “La Breve Storia Di Fluxus. From History of Fluxus.” Flash Art (1978): 25-9. Print.

Dumett, Mari. “The Great Executive Dream: George Maciunas, Adriano Olivetti, and Fluxus Incorporated.” RES: Anthropology and Aesthetics (2008): 314-20. Print.

Filliou, Robert. Ample Food for Stupid Thought. New York: Something Else Press, 1965. Print.

---. Teaching and Learning as Performing Arts (Lehren Und Lernen Als Auffuehrungskuenste). New York and Cologne: Gebr. Koenig, 1970. Print.

Fluxus and After. Brisbane: Queensland Art Gallery, 1993. Print.

Frank, Peter, and Ken Friedman. “Fluxus: A Post-Definitive History where Response Is the Heart of the Matter.” High Performance 27 (1984): 56-62. Print.

Frank, Peter. “Fluxus in New York.” Lightworks (1979): 28-36. Print.

---. Something Else Press: An Annotated Bibliography. New York: McPherson, 1983. Print.

Fredrickson, Laurel. “Trap: Kate Millett, Japan, Fluxus, and Feminism.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 337-67. Print.

Friedman, Ken, and Jean Sellem. “On Fluxus.” Lund Art Press 1.4 (1990): 269-85. Print.

Fluxus. Spec. issue of Freibord 60 (1987). Print.

Fluxus. Spec. issue of Freibord 64 (1988). Print.

Fluxus. Spec. issue of Freibord 73 (1990). Print.

Fricke, Stefan, Alexander Klar, and Sarah Maske, eds. Fluxus at 50. Bielefeld, Germany: Kerber Verlag, 2012. Print.

Friedman, Ken. “Fluxus Performance.” The Art of Performance: A Critical Anthology. Ed. Gregory Battcock and Robert Nickas. New York: E.P. Dutton, 1984. 56-70. Print.

Friedman, Ken, ed. FLUXUS. Spec. issue of White Walls 16 (1987). Print.

---, ed. The Fluxus Reader. Chichester: Academy Editions, 1998. Print.

Friedman, Ken, and Owen F. Smith, eds. Fluxus and Legacy, Part 2. Spec. issue of Visible Language 40.1 (2006). Print.

Gilbert, Zanna. “Something Unnameable in Common: Translocal Collaboration at the Beau Geste Press.” ARTMargins 1.2-3 (2012): 45-72. Print.

Glew, Adrian. “Archive Review.” Performance Research 7.3 (2002): 135-8. Print.

Glimcher, Mildred, and Robert R McElroy. Happenings: New York, 1958-1963. New York: Monacelli Press, 2012. Print.

Hansen, Al. A Primer of Happenings & Time/Space Art. New York: Something Else Press, 1965. Print.

Hansen, Al, and Kölnisches Stadtmuseum. Al Hansen: An Introspective. Cologne: Kölnisches Stadtmuseum, 1996. Print.

Harris, Steven. “The Art of Losing Oneself without Getting Lost: Brecht and Filliou at the Palais Idéal.” Papers of Surrealism 2 (2004): 1. Print.

Havens, Thomas R. H. Radicals and Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism. Honolulu: University of Hawaii Press, 2006. Print.

Hendricks, Geoffrey. Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958-1972. New Brunswick: Rutgers University Press, 2003. Print.

Herzogenrath, Wulf, and Nam June Paik. Nam June Paik: Fluxus, Video. München: S. Schreiber, 1983. Print.

Higgins, Dick. Computers for the Arts. Somerville: Abyss Publications, 1970. Print.

---. Horizons, the Poetics and Theory of the Intermedia. Carbondale: Southern Illinois University Press, 1984. Print.

Higgins, Dick, ed. Manifestos. New York: Something Else Press, 1966. Print.

---. Modernism since Postmodernism: Essays on Intermedia. San Diego: San Diego State University, 1997. Print.

---. “The Origin of Happening.” American Speech 51.3/4 (1976): 268-71. Print.

---. “Something Else about Fluxus.” Art and Artists 7.7 (1972). Print.

---. “The Tart, or Miss America.” The Tulane Drama Review 10.2 (1965): 132-41. Print.

---. Towards the 1970s. Dunkirk: Abyss Publications, 1969. Print.

---. What Are Legends. New York: Bern Porter, 1960. Print.

Higgins, Dick, and Letty Eisenhauer. “Graphis.” The Tulane Drama Review (1965): 123-31. Print.

Higgins, Hannah. “Border Crossings: Three Transnationalisms of Fluxus.” Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance. Ed. James A. Harding and John Rouse. Ann Arbor: University of Michigan Press, 2006. 265-85. Print.

---. Fluxus Experience. Berkeley: University of California Press, 2002. Print.

Higgins, Hannah B. “Critical Refluxtions: Or Fluxcribnotes by the Daughter of Dick Higgins and Alison Knowles.” The New Art Examiner 21 (1994): 17-23. Print.

---. “Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else.” Art Journal 69.1-2 (2010): 8-22. Print.

Jenkins, Janet, Elizabeth Armstrong, and Joan Rothfuss. In the Spirit of Fluxus. Minneapolis: Walker Art Center, 1993. Print.

Johnston, Jill. “George Brecht, the Philosopher of Fluxus.” Art In America 94.4 (2006): 112-9. Print.

Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press, 1999. Print.

Kawamura, Sally. “Appreciating the Incidental: Mieko Shiomi’s Events.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 311-36. Print.

Kellein, Thomas. The Dream of Fluxus: George Maciunas: An Artist’s Biography. London: Thames & Hudson, 2007. Print.

Kellein, Thomas, and Jon Hendricks. Fluxus. London: Thames and Hudson, 1995. Print.

Klaus Schrenk and Emmett Williams, eds. “St. George and the Fluxus Dragons.” Upheavals, Manifestos, Manifestations: Conceptions in the Arts at the Beginning of the Sixties: Berlin, Düsseldorf, Munich. Cologne: DuMont, 1984. 19-38. Print.

Kostelanetz, Richard. The Theater of Mixed Means: An Introduction to Happenings, Kinetic Environments, and Mixed-means Performances. New York: Dial Press Incorporated, 1968. Print.

Kotz, Liz. Words to Be Looked at: Language in 1960s Art. Cambridge: MIT Press, 2007. Print.

Krinzinger, Ursula, ed. Fluxus Subjektiv. Vienna: Galerie Krinzinger, 1990. Print.

Léger, Marc James. “A Filliou for the Game: From Political Economy to Poetical Economy and Fluxus.” RACAR: revue d’art canadienne/Canadian Art Review (2012): 64-74. Print.

Lushetich, Natasha. “The Performance of Time in Fluxus Intermedia.” TDR/The Drama Review 55.4 (2011): 75-87. Print.

Maciunas, Billie. The Eve of Fluxus: A Fluxmemoir. Orlando: Arbiter Press, 2010. Print.

Maciunas, George, and Astrit Schmidt-Burkhardt. Maciunas’ Learning Machines: From Art History to a Chronology of Fluxus. Detroit: Gilbert and Lila Silverman Fluxus Collection; Berlin: Vice Versa Verlag, 2003. Print.

Marter, Joan M, ed. Off Limits: Rutgers University and the Avant-garde, 1957-1963. Newark: Rutgers University Press, 1999. Print.

Mazzone, Marian. “Keeping Together Prague and San Francisco: Networking in 1960s Art.” Technoetic Arts 7.3 (2009): 275-92. Print.

Medina, Cuauhtémoc. “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement’.” RES: Anthropology and Aesthetics (2005): 179-92. Print.

---. “The ‘Kulturbolschewiken’ II: Fluxus, Khrushchev, and the ‘Concretist Society’.” RES: Anthropology and Aesthetics (2006): 231-43. Print.

Merewether, Charles, et al. Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970. Los Angeles: Getty Research Institute, 2007. Print.

Mesch, Claudia. “Cold War Games and Postwar Art.” Reconstruction 6.1 (2006).Web. 2014.

Milman, Estera. “Fluxus: A Conceptual Country.” Visible Language 26.1/2 (1992). Print.

---. “Fluxus and the Democratization of the Arts.” Dada Conquers! The History, the Myth, and the Legacy. Taipei: Taipei National Museum, 1998. Print.

Montano, Linda. Performance Artists Talking in the Eighties: Sex, Food, Money. Berkeley: University of California Press, 2000. Print.

Moore, Barbara. “George Maciunas: A Finger in Fluxus.” Artforum (1982): 38-45. Print.

---. “Vintage Fluxus.” Ear: Magazine of New Music 15.3 (1990): 20-4. Print.

Moore, Barbara, and Something Else Press. Something Else Press: An Exhibition, September 5-October 5, 1991, Granary Books Gallery, New York City. New York: Granary Books, 1991. Print.

Moren, Lisa. “The Wind Is a Medium of the Sky.” INTERMEDIA: The Dick Higgins Collection at UMBC. Baltimore: Albin O. Kuhn Library, 2003. 11-9. Print.

Morin, Emilie. “Look Again: Indeterminacy and Contemporary British Drama.” New Theatre Quarterly 27.01 (2011): 71-85. Print.

Munroe, Alexandra. Japanese Art after 1945: Scream against the Sky. New York: H.N. Abrams, 1994. Print.

O’Dell, Kathy. “Fluxus Feminus.” TDR/The Drama Review: A Journal of Performance Studies 41.1 (1997): 43-60. Print.

---. “In the Field with Alice Hutchins.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 411-32. Print.

Oren, Michael. “Fluxus-Kästen Und Dada-Konstructionen.” Sinn Aus Unsinn: Dada International. Ed. Wolfgang Paulsen and Helmut G. Hermann. Bern: Franke, 1982. 277-93. Print.

Ouzounian, Gascia. “The Uncertainty of Experience: On George Brecht’s Event Scores.” Journal of Visual Culture 10.2 (2011): 198-211. Print.

Patrick, Martin. “Unfinished Filliou: On the Fluxus Ethos and the Origins of Relational Aesthetics.” Art Journal 69.1-2 (2010): 44-61. Print.

Patterson, Benjamin, et al. The Four Suits: Benjamin Patterson, Philip Corner, Alison Knowles. New York: Something Else Press, 1965. Print.

Perloff, Marjorie. “Fluxier-than-Thou.” Modernism/modernity11.3 (2004): 581-7. Print.

Peterle, Astrid. “Fluxus Scores and Instructions: The Transformative Years, ‘Make a Salad’.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 439-41. Print.

Pijnappel, Johan, ed. Fluxus: Today and Yesterday. Spec. issue of Art & Design Magazine 28 (1993). Print.

Pontbriand, Chantal. “Fluxus Atout.” Mediart 13 (1973): 2-8. Print.

Pope, William L. “Canary in the Coal Mine.” Art Journal 70.3 (2011): 55-8. Print.

Rainer, Cosima, Manuela Ammer, and Lentos Kunstmuseum Linz. See This Sound: Promises in Sound and Vision = Versprechungen Von Bild Und Ton. Köln: Verlag der Buchhandlung W. König; New York: Distributed Art Publishers, 2009. Print.

Rhee, Jieun. “Performing the Other: Yoko Ono’s Cut Piece.” Art History 28.1 (2005): 96-118. Print.

Ríos, Henar Rivière. “Paper Trails for the History of Fluxus and Zaj: Between Document and Art Practice.” Anales de Historia del Arte (2011): 421-36. Print.

Robinson, Julia. “From Abstraction to Model: George Brecht’s Events and the Conceptual Turn in Art of the 1960s.” October 127 (2009): 77-108. Print.

---. “Maciunas as Producer: Performative Design in the Art of the 1960s.” Grey Room 33 (2008): 56-83. Print.

---. “The Sculpture of Indeterminacy: Alison Knowles’s Beans and Variations.” Art Journal 63.4 (2004): 96-115. Print.

Robinson, Julia E. “The Brechtian Event Score: A Structure in Fluxus.” Performance Research 7.3 (2002). Print.

Ruhé, Harry. Fluxus: The Most Radical and Experimental Art Movement of the Sixties. Amsterdam: ‘A’, 1979. Print.

Saper, Craig. “Fluxus as a Laboratory.” The Fluxus Reader. Ed. Ken Friedman. Chichester: Academy Editions, 1998. 136-51. Print.

Saper, Craig J. Networked Art. Minneapolis: University of Minnesota Press, 2001. Print.

Sava, Sharla. “As if the Oceans Were Lemonade: The Performative Vision of Robert Filliou and the Western Front.” MA thesis. Toronto, 1996. Print.

Sell, Mike. Avant-garde Performance & the Limits of Criticism: Approaching the Living Theatre, Happenings. Ann Arbor: University of Michigan Press, 2005. Print.

Sellem, Jean, ed. Fluxus Research. Spec. issue of Lund Art Press 2.2 (1991). Print.

Shapley, Greg. “After the Artefact: Post-digital Photography in Our Post-media Era.” Journal of Visual Art Practice 10.1 (2011): 5-20. Print.

Shaw-Miller, Simon. “Concerts of Everyday Living: Cage, Fluxus and Barthes, Interdisciplinarity and Inter-media Events.” Art History 19.1 (1996): 1-25. Print.

Smith, Owen F. “Fluxus, Experimentalism, and the End of Language.” Experimental, Visual, and Concrete: Avant-Garde Poetry Since 1960. Ed. David K. Jackson, Johanna Drucker, and Eric Vos. Atlanta: Rodopi, 1996. 187-202. Print.

---. Fluxus: The History of an Attitude. San Diego: San Diego State University Press, 1998. Print.

Snyder, Ellsworth. “John Cage Discusses Fluxus.” Visible Language 26 (1992): 59-68. Print.

Stegman, Petra, ed. The Lunatics Are on the Loose. Potsdam: Down With Art!, 2012. Print.

Stiles, Kristine. “Between Water and Stone: Fluxus Performance: A Metaphysics of Acts.” In the Spirit of Fluxus (1993): 63-99. Print.

Thompson, Chris. Felt: Fluxus, Joseph Beuys, and the Dalai Lama. Minneapolis: University of Minnesota Press, 2011. Print.

Williams, Emmett. A Flexible History of Fluxus Facts and Fictions. London: Thames & Hudson, 2007. Print.

---. My Life in Flux—and Vice Versa. London: Thames & Hudson, 1992. Print.

Wijers, Louwrien. “Fluxus Yesterday and Tomorrow: An Artist’s Impression.” Fluxus: Today and Yesterday. London: Academy Editions, 1993. 7-13. Print.

Yoshimoto, Midori, et al. “An Evening with Fluxus Women: A Roundtable Discussion.” Women & Performance: A Journal of Feminist Theory 19.3 (2009): 369-89. Print.

Young, Karl. “Notation and the Art of Reading.” Open Letter: Notayshun 5 (1984): 21-31. Print.